But behind nostalgy, one can feel the promise of a new hope. Well, I sometimes simply can't bear this part, and skip it.Ī slow and nostalgic part. "Only Time will tell".Ī long "mélopée" then follows. Some emphasize as time goes on, and begins more and more complex, between the echoes of many voices. "charming", and is followed by a duo of strange voices. Yet a bit repetitive, this part is quite. The same, obsessive rythm is played the whole part along. The guitar the comes back with strange sounds, introducing the rythm which will sustain the The theme is brought with at first an electrical guitar, followed by a small melody on the piano. The spirit of discovery governs this part -from the enthousiasm for the departure to the slow exploration of a new world, and finally the eve of a new hope. The whole part would be perfect to listen to when flying above the Antarctic Ocean, to my mind.įrom a very soft level "in the beginning", the music slowly becomes more and more emphatic, and once again strongly suggests large landscapes. and I haven't tried it yet.Ī soft introduction, with a slight trend to mysticism. on 294.This part is intended to be played on a Macintosh. Lebbeus Woods (New York: Berkley Books, 1984), 295-99 and illus. with an introduction (291-93) in his The Sentinel: Masterworks of Science Fiction and Fantasy Illus. A second version was published as a short movie outline in Omni 12.3 (September 1981): 77-79, 132 and rpt.
in Science Fantasy 12.35 (June 1959): 99-128 in his The Other Side of the Sky (New York: Harcourt, Brace & World, 1958), 207-45 and in his From the Ocean, From the Stars (New York: Harcourt, Brace & World, 1962), 295-320. Worlds of Science Fiction 8.4 (June 1958): 6-29.
The first version of what became the novel was published as “The Songs of Distant Earth.” If. Includes a description of a eutopia of abundance.
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